Artists

• Fernando Feijoo
• Anoushka Fisz
• Montana Forbes
• Samuel Fosso
• Mark Francis
• Michel François
• Jonathan Frantini
• Minne Fry
• Hamish Fulton
• Tierney Gearon
• Catherine Gfeller
• Ralph Gibson
• Andy Goldsworthy
• Christopher Griffith
• Nigel Grimmer
• AES Group
• Dave Hacker
• F Feijoo and M Hanselaar
• Marcelle Hanselaar
• Swava Harasymowicz
• Dorris Haron Kasco
• Darren Harvey-Regan
• Michael Hawkins
• Dan Hays
• Tim Head
• Richard Heeps
• Gerard Hemsworth
• Roland Hicks
• Tyler Bright Hilton
• Damien Hirst
• Stephanie Homa
• Andy Hughes
• Francoise Huguier
• Paul Huxley
• Fabrice Hybert
• David Jarvis
• Brian Jones
• Colin Jones
• David Jones
• Jim Kavanagh
• Jason Kedgley
• Chris Kettle
• Jean-Pierre Khazem
• Frank Kiely
• William Klein
• Jeff Koons

Artist Profile

Colin Jones

Born in London in 1936, Colin Jones’ creative life followed an unorthodox trajectory: ticket out of a working-class existence in the form of a scholarship to dance in the English Royal Ballet. Jones bought his first camera whilst on tour in Japan, running an errand for Dame Margot Fonteyn. He soon became a photographer for The Observer newspaper in 1962, and never looked back.

Colin Jones is one of the most celebrated and prolific photographers of post-war Britain. He has documented facets of social history over the years as diverse as the vanishing industrial working lives of the Northeast (Grafters), delinquent…

Born in London in 1936, Colin Jones’ creative life followed an unorthodox trajectory: ticket out of a working-class existence in the form of a scholarship to dance in the English Royal Ballet. Jones bought his first camera whilst on tour in Japan, running an errand for Dame Margot Fonteyn. He soon became a photographer for The Observer newspaper in 1962, and never looked back.

Colin Jones is one of the most celebrated and prolific photographers of post-war Britain. He has documented facets of social history over the years as diverse as the vanishing industrial working lives of the Northeast (Grafters), delinquent Afro-Caribbean youth in London (The Black House), and most recently, the high-octane hedonism of Swinging London with his famous pictures of The Who early in their career (Maximum Who).

His work has been published in every major publication with any regard for the image, such as Life, and National Geographic, as well as in many supplements for the major broadsheets. He has had solo exhibitions at the National Gallery of Art in Washington DC and at the Photographers’ Gallery in London, as well as at many other venues.

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